Đề ôn thi Đề thi vào lớp 10 Hưng Yên môn Tiếng Anh - Mã đề HYE-67

Many people mistakenly believe that having a fever is an illness. In reality, a fever is a sign that your body is fighting an infection. When you get sick from germs like viruses or bacteria, your body temperature often (29) __________ above the normal 37°C. This is a natural and helpful response.

A fever (30) __________ by a part of your brain called the hypothalamus, which acts as your body's thermostat. To fight the infection, the hypothalamus raises your body temperature. This makes your body a less welcoming place for germs to live and grow. (31) __________, a higher temperature can help your immune system work more effectively. So, a fever is a symptom, a sign (32) __________ your body is actively defending itself.

While uncomfortable, most fevers are not dangerous. Doctors often advise that it is not always necessary to (33) __________ a low fever with medicine. Instead, resting and drinking plenty of fluids is often the best approach to help your body (34) __________ its important work.

In recent years, the global stage has celebrated national film industries, with South Korea's 'Parasite' winning the Oscar for Best Picture. This has inspired many countries, including Vietnam. Following the massive domestic box office success of films like 'Nhà Bà Nữ', a serious question has emerged: Has Vietnamese cinema evolved enough to compete at major international film festivals? While local success is remarkable, achieving global recognition requires a different set of qualities.

Modern Vietnamese films have several key strengths. Many recent productions showcase high technical quality and impressive cinematography. Directors are creating stories with authentic characters and situations that deeply resonate with local audiences, leading to their popularity. This ability to tell stories that feel real and emotionally engaging is a significant asset. These films often explore family dynamics and social issues that, while uniquely Vietnamese, touch upon universal human experiences.

However, the industry also faces considerable challenges. A common criticism is that many film plots are predictable, often following familiar formulas from romantic comedies or family dramas. To appeal to international critics and diverse audiences, Vietnamese filmmakers need to explore a wider range of genres and embrace more original, complex narratives. Relying too heavily on what is popular domestically might limit a film's potential to travel and succeed abroad.

To bridge the gap between local popularity and international acclaim, a focused strategy is necessary. This involves more than just big budgets; it requires investing in scriptwriting and training a new generation of filmmakers. Government support and private investment in developing original stories could be the key factor that elevates Vietnamese cinema. The journey is challenging, but with the right combination of creative talent and strategic support, Vietnamese films could soon be contenders on the world stage.